Help! Author critique wanted...

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Waddison

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I'm kinda shy about this. It's something I have been wanting to do, but have not got around to doing.
But it is something I have considered doing for a long time.
I have read others' writings here, (Correia, Mr. Nightcrawler come immediately to mind) and so I have decided to ask for your critiques on my first attempt, too.
I recently started with the following short character sketch...
Your comments and critique are greatly appreciated.

Richard and his patrol crested the small, rock strewn ridge. An enemy machine gun opened up from a cluster of brush and stones with a ‘brrrrrrrrrrrrrttttttttt’ that knocked him and two others off their feet. The remaining four soldiers hit the dirt. Face down in dusty gravel with ricochets screaming past him and his left lower leg on fire, clutching his M1 tightly in his right hand, Richard began to slowly inch backwards off the rise. At his motion the machine gunner zeroed in on him with what seemed personal attention, spattering him with soil and small, sharp edged stones. Damn!
Richard turned his head to the right to see if he could see any of his patrol members’ and verify their condition, but a large clump of bunch grass immediately next to his head foiled that. The motion of his head got attention from the enemy machine gunner again. Immediately to his left was a slight rise that prevented any scanning in that direction without raising his head, something he was not about to do. Sobbing with frustration and fear, Richard prayed to God to make it stop. Dear God, please make it stop! Please, please, just make it stop! Again and again, Richard made efforts to back off that ridge for what seemed an eternity. Each time the enemy gunner singled him out with a long burst.

Eva held the old farmer’s head face up in her lap, stroking the receded, coarse, curly gray-streaked hair while his frail body shuddered. Tears streaked down his temples and into his ears. She quietly sobbed with him, tears staining her cheeks and admiring his overly large hands on once robust, farmer-strong forearms. How strong he once was! Not so many years ago, he downed a cow that charged him for getting between her and her day-old calf with a single blow of his rock hard fist between her ears. Now he was thin, unable to walk or even to speak and was fed via a tube directly into his stomach. A degenerative nerve condition had withered him away in his few retirement years to a frail, shadow of his formerly splendid physique. His once barrel chest showed every rib, his skin thin, sagging and wrinkled. Eva marveled at how thick the hair on his chest still was, though entirely gray.
Oh! How she loved this man!
What were the terrible nightmares her husband had suffered all these years? What would cause them to come late in the night, seemingly at random? He only once ever spoke of them, only saying they were something he brought home, but he was always grateful for Eva’s devoted presence those late nights.
Nearly 50 years we have been married, Eva thought.
His breathing was suddenly shallower and somewhat irregular. “Oh, dear God! Please don’t take him from me now!” Eva begged in a quiet whisper. “You don’t want Richard! He’s all I have!”, she sobbed uncontrollably.

Thank you for your time and attention.

Waddison
 
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Waddison: "Suddenly a machine gun opened up from a cluster of brush and stones ..."

Avoid use of "suddenly." Make the suddenness of the action apparent from the context and your description. EVERY machinegun burst is "sudden."
 
"Not so many years ago, he downed a cow that charged him with a single blow of his rock hard fist between her ears when she charged him for getting between her and her day-old calf."
this is repetitive, you dont have to add the last part "when she charged him for getting between".... it is better without that. you already established that she was charging.

"At his motion the machine gunner zeroed in on him with what seemed (to be) personal attention"

adding the "to be eliminates a bit of confusion with this sentence.
 
You're ugly...... :D Sorry, I couldn't resist that. I'm not really qualified to critique, but I will say it was easy to read.
 
Duke:
Thank you for that. You are correct.
My amateur is suddenly showing. :eek:
adding the "to be eliminates a bit of confusion with this sentence.
I politely disagree. I believe adding "to be" makes the sentence clumsy and overly wordy. But then, maybe that is a stylistic issue??? :confused:

PT:
Caught again!
Yup. I agree.
Thus my request for critique!

(Revised edition to come....)

jhco50: How did you know that? :eek:
Thanks for the "easy to read" feed back. Positive critique is helpful, too.

Waddison
 
Waddison: "My amateur is suddenly showing."

Everyone was an amateur when they wrote their first story or novel for publication.

Now HERE'S a sudden machinegun burst I just wrote:

"All knew Laroche's pallbearer was sensitive about his diminutive stature, though few knew why, which why was heard if at all spoken in low French at the tavern, and that late on a Bangor Saturday night. Our pallbearer, whom we shall call Nappy, for Napoleon really was his name, had met in the war another American of French-Canadian descent, whom we shall call Paul, as in Paul Bunyan, whose height he appeared to share. The physically comical pair developed a comradery and worked to draw detail and patrol together when possible. So one day on the road to Houffalize Nappy was manning the Browning and Paul was riding in the back of the truck with his legs over the tailgate. The back of Paul's shoes kept banging into the rocks in the road, of which there were many, and this fact annoyed Paul considerably. So Nappy suggested at the next stop that they might change positions, as Nappy's heels were entirely too high off the ground to hit the rocks. Paul was amenable to this new arrangement, and so he clambered up to man the Browning while Nappy sat in the back of the truck with his Garand. About a click down the road an MG42 cut Paul in half."
 
Duke:
Hmmm........ Yes, I think I see your point. However, I also wished this element of the story to be less graphic and more 'understated'. A stylistic variance/preference?
The event I describe is also based on an actual incident told me by my grandfather, who always underplayed every major event in his life. (With the exception of the births of his children and grand children.) There is more to the story, (and I will eventually get into that,) but I am also doing some research for the story, too.

Thanks again,

Waddison
 
A degenerative nerve condition
You might mention which particular one . . .

I find the second part, about the farmer and his wife, to be a bit too melodramatic.

receded, coarse, curly gray-streaked hair
WAY too many modifiers in a row. Find another way to word this description.

If you haven't got one, consider buying a copy of "The Elements of Style," by Strunk and White.

Eva held the old farmer’s head face up in her lap
I'm trying to picture this . . . if he's that frail, and with a feeding tube, he'd likely be in a hospital bed. Did she somehow wriggle her way under him?

Keep working at it. It won't get easier, but it will get better.
 
I actually really like what you have written.

On the other hand...

I've been a professional editor for far too many years.

You have a potential great story.

I'll give it a rip. Well, actually, I won't. You have some really good stuff working for you. I like it and want to read more. I say that about once a month with 150 stories coming across my desk.

I've thrown in my edits. It will be necessary to compare my edits on a line-by-line basis to get a grip on what changes I've made.

I did not edit my edits. Forgive me if there is a typo or other faux pas. This is a freebee.

If, when you have completed the work, you cannot find and editor, I'd be happy to take on the task.

Your subject material is good. You write in English. You can tell a story when it bites you on the ass.

If I may suggest, print out your original version and my version.

Hold them side-by-side.

Choose your arguments carefully.

Become less attached to your work. It can always be improved.

Spell out a time and place in the portion I've read. It may be done very subtly. A line like "the old farmer worked the Normandy plot since his youth."

"His large hands showed the many scars of supporting the People's Revolution."

Very Hemingwayesque. I like it.

I am a nasty critic when it comes to editing. If I say I like it you better do some damn good work to follow it up.

Bear in mind that time is crucial, is it now, is it was, will it be?

Be prepared to change voices between now, then and will be to make it flow. That is very difficult. I struggle with it every day.

You, and your story, have a great deal of potential.

Finish it!

The difference between a writer and an aspiring writer is that the writer has finished his work.

Here's my edited version:
The machine gun opened up from a cluster of brush and stones with a ‘brrrrrrrrrrrrrttttttttt’ that knocked the patrol off their feet. (X-who? dropped on the first burst) The remaining four soldiers hit the dirt. Face down in dust and gravel with ricochets screaming past them and his left leg on fire, clutching his M1 tightly in his right hand, Richard began to slowly inch backward off the rise. At his motion the machine gunner seemed to zero in on him, spattering him with soil and stones.
He turned to the right to see if he could see any of his patrol members and verify their condition, but a large clump of grass next to his head foiled that. The motion of his head drew the attention of the machine gunner again.
To his left was a slight rise that prevented any scanning in that direction without raising his head. Sobbing with frustration and fear, Richard prayed that it would stop. “Dear God, please make it stop! Please, please, just make it stop!”
Again and again, Richard tried to back off that ridge for what seemed an eternity. Each time the enemy gunner singled him out with a long burst.

BREAK of some sort
An old trick is to simply add a ---
Then there is: Meanwhile back at the ranch…

Eva held the old farmer’s head face up in her lap, stroking the receding, coarse, curly gray-streaked hair while his frail body shuddered. Tears ran down his temples and traced strangely clean streaks to his ears. She quietly sobbed with him, tears staining her weary, dusty cheeks as she focused her view on his overly large hands - once so robust, farmer-strong forearms, but no weak. How strong he once was! Not so many years ago, he downed a cow that charged him for getting between her and her day-old calf with a single blow of his rock-hard fist. Now he was thin, unable to walk or even to speak and was fed via a tube directly into his stomach. A degenerative nerve condition had withered him away in his final years to a frail, shadow of his formerly splendid self. His barrel chest showed every rib. His skin thin is sagged and wrinkled. Eva looks and marvels at how thick the hair on his chest still was, though entirely gray.
He is what he once was in her eyes.
Oh! How she loves this man!
What nightmares she and her husband had suffered all these years? What would cause them to come late in the night, seemingly at random? He only once ever spoke of them, only saying they were something he brought home, but he was always relieved at Eva’s devoted presence during those awful late nights.
Nearly 50 years we have been married, Eva thought.
His breathing was suddenly shallower and somewhat irregular. “ Oh, dear God! Please don’t take him from me now!” Eva begged in a quiet whisper. “You don’t want him! He’s all I have,” she sobbed uncontrollably.
 
WWII or Vietnam?

If WWII and these are Germans/Japanese, are they veterans or Volksturm? The reason why I am asking is because a veteran MG team wouldn't open-up on targets on the crest. They'd wait for the unit to cross completely over the crest and lay into them when they have no place to go. Depending on the geography and the height of the MG crew, the MG may be set-up in a position to drop bullets into a 'beaten path' even onto the other side of the crest.

If it was Volkssturm, ater war Japanese, or maybe Viet Cong, they may not have the training that regular MG teams would be trained.
 
I'm no editor, but I thought I'd give it a go...

Richard and his patrol [quietly, wearily, etc...] crested the small, rock strewn ridge. [As they did something, an] enemy machine gun opened up from a cluster of brush and stones [to left, right, in front of them, etc...] with a ‘brrrrrrrrrrrrrttttttttt’ that knocked him and two others [to his right, left, etc...] off their feet. The remaining four soldiers hit the dirt [and...?].

[Which side of the ridge is everyone on, now?]

Face down in [the] dusty gravel with ricochets screaming past him and his left [calf, knee, thigh] on fire, [Richard clutched] his M1 tightly in his right hand [and] began to slowly inch backwards off the rise. [As if sensing his movment,] the machine gunner zeroed in on him, [giving him seemingly] personal attention, spattering him with soil and small, sharp edged stones.

"Damn!"

[The leader, hurting seargent, etc... (avoid first name over and over)] turned his head to the right [in an attempt to catch sight of] his patrol members’ and verify their condition, but a large clump of bunch grass immediately next to his head [made it impossible]. [This attracted the attention of] the enemy machine gunner again [and earned him a wicked burst of fire, etc...].

Immediately to his left was a slight rise that prevented [him from] scanning [the area] in that direction without raising his head [-] something he was not about to do.

Sobbing with frustration and fear, [he] prayed to God to make it stop. "Dear God, please make it stop! Please, please, just make it stop!"

[It seemed like an eternity.] Again and again Richard made efforts to back off that [ridge, and each] time the enemy gunner [unleashed a long burst of leaden death in the direction of his movements.]

[Need more info on what happened to the two shot guys and the four others that aren't hurt]

HTH
 
loop:
Thank you very much for your professional assistance. I do intend to finish the story, and your comments are very encouraging. I think I understand the concepts you want to impart and I will persevere to internalize them.

If you haven't got one, consider buying a copy of "The Elements of Style," by Strunk and White.
I haven' seen this since English 201, spring quarter, 1981. If they're still using it, I should be able to find it in the "Classics" section! :D

DHJenkins, CWL, Leanwolf, heron, others....
Looks like the hook may have worked...;)
The details you are asking are intended to be revealed in the course of the story, but not immediately. Kind of like the 'tease' at the beginning of the newscast that makes you watch the lion's share of the program for the most interesting tidbit.

This story is based on actual events, so I want to be historically accurate and am in the midst of research for the project. I intend it to be a short story of 8-10 pages in length, but that could change.
The urge came suddenly to put these pieces to paper, thus the request for critique.
I do not intend to become a writer as a profession, but I once heard it said that everyone has at least one good book in them.

Thank all of your for your time once again.

Waddison
 
WADDISON - "I do not intend to become a writer as a profession, ..."

No matter you "don't intend to become a writer as a profession," you, or anyone who decides to write, should have the mind set to make the story as "professional" as possible.

That applies to anyone just beginning, whether writing a short story, a novel, or a screenplay.

There are hundreds of books of short stories. You might buy a book of the collected short stories of various authors and really study them, not to emulate them, but to see how they construct and craft a story.

One of the best, if you can find a copy (your local library, or Amazon) is "A TREASURY OF SHORT STORIES, Favorites of the past hundred years from Turgenev to Thurber, from Balzac to Hemingway," Edited by Bernadine Kielty, Simon and Schuster, (c)1947.

That's as good as it gets, in my opinion.

Also, I happen to believe it is important to finish a story before posting it, or sending it to an agent or publisher. Beginning, middle, and ending. Of course, I'm old fashioned. ;)

(I don't agree that everyone has one good book in him or her, either. :) )
 
No matter you "don't intend to become a writer as a profession," you, or anyone who decides to write, should have the mind set to make the story as "professional" as possible.
I agree completely. Thank you!
There are hundreds of books of short stories. You might buy a book of the collected short stories of various authors and really study them, not to emulate them, but to see how they construct and craft a story.
Excellent advice, thank you again!
I know I have a book of Asimov's short stories around here some place. IIRC, the title is "Nightfall and Other Stories" or some such. They are SF, but the principles are the same. I'll try to find it later tonight.

Many thanks!

Waddison
 
They're still revising Strunk & White, btw . . . my copy is the fourth edition, copyright 2000. Still as good as it ever was, maybe even a little better.
 
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