Holster Tutorial

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CraigC

Sixgun Nut
Joined
Jan 27, 2006
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West Tennessee
I’ve always wanted to do a tutorial on making a holster. I’m not exactly the world’s foremost expert on this subject but I get a lot of questions from folks interested in doing leatherwork. I encourage as much as possible but it’s difficult to relate the process with words only. I hope you enjoy it, maybe learn a few things, including an appreciation for the work that goes into custom leather goods. So follow along as we build this holster!

The first step is to create the pattern. We start with a sixgun similar enough to create a pattern around. In this case, it’s my never before seen Buckeye .38-40. We’ll allow a bit of extra room for the five-shot gun’s longer ejector and not worry about that again until it comes to wet forming much later. We start by taking a 14” manila folder and laying the sixgun along the fold, sights down.
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We then gently roll the sixgun over on its side and trace it out.
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Now we’ll begin drawing up the pattern. Since this is not an original design, we will base the pattern off an existing example. In this case, a stitched toe Threepersons for a large frame Blackhawk. I’ll trace this pattern on the folder and then modify it as needed to fit. This will be an open toe holster so the shape of the toe, as well as the overall length, will be modified.
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Once satisfied with the pattern, I’ll fold it and cut out the areas that are symmetrical, such as the mainseam and toe. Here we can see why the open toe version is less expensive, everything about the process is easier due to the straight mainseam and toe. Then I’ll unfold it to cut out the areas that are asymmetrical such as the throat and belt loop.
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Here’s the finished pattern.
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Next I’ll find a suitable section of 8-9oz vegetable tanned cowhide that is without flaws like scrapes or pithy areas of the flesh side. A smooth flesh side is just as important as the hair side. I don’t typically shy away from scars because it lends some rustic character but those bad enough to affect the integrity of the finished product are avoided. In this case, there is a big scrape to the left of my pattern and that is what we’re trying to avoid here.
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I do a rough tracing and cut the section away from the rest of the hide with a rotary cutter to make it easier to manage.
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Hides are stored rolled up so I then dampen the leather on both sides with distilled water to help flatten it out. It also makes it easier to cut.
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Now I can trace out my pattern. I use red ink because it is more easily covered by the dye if it gets anywhere it’s not supposed to.
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Pattern traced out.
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Now I’ll cut it out, using a generic rotary cutter and a stainless steel straight edge for the straight cuts…..
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…..and an assortment of knives for the rest. Most other patterns have few straight edges.
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Done!
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Now I begin my line work. This is accomplished with a stitching groover, a tool that cuts a groove at a pre-determined distance from the edge, for the thread to lay in to protect it from abrasion and it also makes for a cleaner looking finished product. It is also used to frame out the stamping pattern. First is the stitching groove about 3/16” from the edge, then the border for the first line of stamping about another 1/8” to the inside. Tool is an inexpensive Tandy. I keep several set for different widths. The line along the fold is accomplished with a freehand groover using a straight edge.
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Before tooling we must first “case” the leather. That is, dampen it on both sides and wait until the hair side starts to change back to its dry color. In this condition, the leather will take an impression and hold it indefinitely.

Starting the first border stamp. Stamping along the border cut, using a small border stamp and a 28oz tapered maul. Both tools from Barry King.
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Then we cut a second border just inside the first and begin the second line of stamping with a similar but larger Barry King stamp.
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Adding some “seeds” to the corners.
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Adding my maker’s mark.
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Stamping the make/model and year completed.
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The stamping is now completed.
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Now I bevel the edges with a Barry King bissonnette edge beveler. It’s made for going around tight curves but I use it for everything. Taking special care not to bevel edges that will be glued.
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Here we use an overstitch wheel to mark our holes for stitching.
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Here we punch the holes for stitching. The haft is a Barry King, the blade a stainless steel Douglas saddler’s awl. It punches a diamond shape hole that puts the least stress on the material while providing a hole for stitching that will close up when finished. For a very clean looking stitch. It’s best to occasionally poke the awl into a cake of pure beeswax to make it easier to punch the holes. It’s important to angle the awl slightly and to do this consistently along the entire length. This keeps your stitches even along the length.
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Holes punched.
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Now I dampen the belt loop at the fold, fold it over a scrap 14oz 2½” belt and use a cobbler’s hammer to crease it.
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Using the cobbler’s hammer to crease the loop along the bottom.
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Marking the top of the stitch line.
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Cutting a stitch groove.
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Marking the holes.
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Connecting the second holes with another stitch line across.
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Marking the holes in the pouch with a round awl.
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All stitching holes punched.
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Cutting a groove in the flesh side. This protects the thread from abrasion from the sixgun being inserted and withdrawn from the holster.
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Using the strap cutter to make a 3/8” wide strip for the welt.
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Laying a bead of Fiebing’s leather cement for the welt.
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My very technical method of holding the welt in place.
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Marking the holes for the thong while I’m thinking about it. Then I’ll set it aside to cure overnight.
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Using the round knife to trim the excess off the welt.
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The glue is cured and I’ve put the mainseam to the bench sander, basically just to knock the excess glue off.
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Cleaning the leather with alcohol to remove any unwanted oils or other contaminates before dyeing.
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Punching holes for the thong.
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First we’ll dye the flesh side. It will take a good bit of dye to fully penetrate and this will be repeated another couple times. This is a water based product that is actually marketed as “medium brown” but with several coats plus olive oil and the finishing process, it’ll finish off quite dark.
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Just one coat for the hair side and one or two more after it’s stitched up. This prevents the color from being uneven around the belt loop. It will dry more evenly than it looks right now.
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This is one of the most important steps in the whole process. Highly finished edges are what separates good work from great and we strive to get our edges as nice as we can make them. While the leather is damp with the dye, we’ll begin “slicking”, or burnishing the edges. This wood burnisher will put a nice smooth, rounded edge on the leather. Again, only the throat, belt loop and toe, we won’t be burnishing the mainseam edges until later. Once we’re finished here, the holster will be allowed to dry.
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We come back after the holster is dry and apply another coat to the flesh side only. This will be repeated until we get close to the color we want, keeping in mind that the finishing process will darken it slightly. In this case, we want a very dark brown.
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After the last coat, we will burnish the flesh side of the leather. This smooths and seals the fibers and produces a nice, much more finished result than leaving it rough.
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Once the leather is dry, we get ready to stitch down the belt loop. We start by estimating the stitch length and pulling four times that off the spool to accommodate two thicknesses of leather. The thread used is a dark brown, waxed nylon braided cord. It is extremely strong and will last a very long time. It comes with a little too much wax on it so I run it over my thumbnail several times to remove the excess. The dark brown color blends nicely with any color of tan or brown leather, as well as oxblood.
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I’ll dampen the belt loop at the fold, line it up and clamp it in the stitching pony. This apparatus holds the work together in a broad, padded clamp and is held in place under the user’s legs.
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Preparing to stitch, thread each end with a needle, push it through the thread about three inches from the end and pull it through. This keeps the thread from pulling out of the needle eye.
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Starting with the two harness needles, Osborne’s in this case, one on each end and set the first stitch in the middle of the thread. These needles are blunt so as to not penetrate the leather or the thread. Begin in such a way that you can stitch the belt loop down in one continuous stitch.
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Pull through one end at a time, ending by pulling both ends snug against each other.
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Repeat the process all the way around, ending by stitching over the first four stitches, then one more half stitch so that both ends of the thread are on the inside. Cut them off as closely as possible. This keeps the thread tails as invisible as possible and is a mark of quality work. Tension will hold them in place, no need to go tying knots.
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Here we use a ball peen hammer to flatten the stitch line on the inside. This helps settle the thread into the groove.
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And a cobbler’s hammer to do the same on the outside.
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The belt loop is now finished.
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Here we dampen the fold with a sponge and distilled water. Whenever leather is manipulated, it must be or dampened to prevent tears to the fibers. It also makes it much easier to work.
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Then the mainseam is glued using the same Fiebing’s cement we used for the welt. Gluing the mainseam serves several purposes. It holds the seam in place for stitching. It provides added strength to the seam. By keeping the leather from moving around, it keeps the stitching from working loose, which helps the seam last longer. It also results in a much better finished edge. Note that we have not yet punched the holes in the back side of the holster.
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Glued and clamped. It’s allowed to cure overnight before continuing.
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Now that the glue is dry, we can take our diamond shaped awl and punch the holes for stitching. This is done from the pre-punched holes in the front side, to the stitch groove in the back side. If you’re careful while pushing it through, you can manipulate the awl into the middle of the groove before puncturing the surface.
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We stitch the mainseam just like the belt loop. Instead of four as before, we need five times the stitch length to cover the three thicknesses of leather. Start at the fourth hole for the backstitch.
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Continuing down the mainseam.
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When we get to the toe, we again backstitch four stitches.
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Pulling the last front stitch to the back side, cutting them off as close as possible for the cleanest look possible. Nothing is worse than thread tails hanging off the front side.
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Taking the cobbler’s hammer to the mainseam to flatten out the stitch line.
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Using the bench sander to smooth out the mainseam edges. This also removes any remaining glue.
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Using the edge beveler to bevel the mainseam edges. Properly sanded, beveled and burnished edges are paramount to quality work.
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The holster is now ready for wet forming. This holster is made for the new 6½” .454 and .480 Super Blackhawks and since we don’t have one of those, we’re using a Buckeye .38-40, mocked up with a Maximum/Hunter length ejector housing to simulate. This will ensure proper fitment around the ejector.
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The holster is then thoroughly dampened, inside and out. The sixgun is heavily oiled and inserted into the wet holster. I then hand bone around the ejector housing and cylinder. Taking care not to deform the stamping.
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I also use the burnishing tool to put a slight flare at the throat of the holster for easier holstering.
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Once satisfied, the sixgun is inserted into a plastic bag and back into the holster. We also use a section of scrap 14oz belt material to wet form the belt loop. It’s allowed to dry overnight.
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Once dry, we begin again by coloring and burnishing the mainseam edge.
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Then another coat of dye is applied to the outside of the holster. It’s allowed to dry overnight.
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Through the tanning and building processes, leather loses its natural moisture and that needs to be replenished. There are lots of good products to use, one of the oldest and most traditional is extra virgin olive oil. Its use on leather dates back to ancient Rome and it works as well today as it did then. Quality extra virgin will not spoil. It must be cold pressed extra virgin, as the subsequent pressings involve heat and that changes the PH level of the oil. Like all things, moderation is the key. One or two light applications are plenty to nourish the leather but avoid making it soft. Leather that has been softened by over-oiling has been permanently damaged. As the cells within the material have absorbed more oil than they can hold and burst.
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Once the oil has been absorbed, usually overnight, we’re now ready to start the finishing process. We first rub in a material called gum tragacanth (“gum trag” for short). This is a rather viscous, funny-smelling, water soluble gel that has the consistency of snot and is used in the food industry. It’s been used on leather for a very long time and is suitable for a final finish. Here, we use it to start sealing and burnishing the leather. Particularly the edges. It’s applied to the edges and they are “slicked” (burnished) wet. This lays down and seals the fibers for a smooth finish. It’s then applied to the rest of the holster and just as it starts to dry, we burnish either by hand with a piece of scrap denim or on the buffing wheel. This brings the leather to a nice sheen.
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After buffing.
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Once we’re satisfied with the luster, a clear gloss finish is applied. There are lots of options here. I don’t particularly care for the plastic look of acrylic finishes like Resolene and prefer to use Fiebing’s Bag Kote. It can easily be reapplied without stripping.
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After the final finish application, the holster is buffed once again to a fine luster.
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Now we’re ready to install the thong. This is a simple piece of 1/8” latigo lace about 14” long. Pulled through the holes with one side about an inch longer than the other, which facilitates the knot we tie once it’s adjusted.
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The finished holster, ready for shipment.
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Outstanding! I am thoroughly impressed.

Your attention to detail is as much evident in your leatherwork as it was in creating such a marvelously illustrated post. It needs to be made a sticky. Well done sir!
 
Hey Craig sorry to jump in the middle of your thread damn it looks great you have a gift thanks for sharing
 
Hey Craig sorry to jump in the middle of your thread damn it looks great you have a gift thanks for sharing
No problem, I just couldn't get it all posted fast enough. ;)
 
CraigC

Best tutorial ever! Great photos, extremely informative, and well formatted! Thanks so much for such a quality production!
 
CraigC:

You get a flippin' A+ for your post. I think I appreciated the tools you were using as much as the thought and workmanship that went into the making of the holster.
I really appreciate the work of an artist.
 
A very handsome holster and outstanding craftsmanship. Thank you for that very informative tutorial.

L.W.
 
It's just a really big black commercial grade cutting board. 24x36, if I remember right.

Thanks all, for the kind words.
 
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