Matthew Machinist
Member
- Joined
- Apr 29, 2012
- Messages
- 2
Hi, I am making springs for a firearm project, I am using Music Wire as per the part blueprints.
The first spring I made, a torsion spring came out pretty good if I do say so myself, it is by no means perfect but it will do the job. I made a small mandrel to wind this around and it came out as expected first time. Here is a blurry photo (sorry)-
http://s1056.photobucket.com/albums/t379/matthewdd3/?action=view¤t=spring1.jpg
With this spring I made the mandrel the coil ID, the coil is quite small so there was virtually no spring back to compensate for.
The next spring I need to make is a rather large compression spring. It actually uses the same diameter wire as above which is .063" or 1.6mm.
http://s1056.photobucket.com/albums/t379/matthewdd3/?action=view¤t=spring2.jpg
This has been a disaster so far, before attempting this project I did do some background research, namely I read a book called Spring design and manufacture by Tubal Cain, he mentioned that Music Wire does not need to be hardened and tempered. This effectively changed the method I was going to use to make this. I was originally going to make the mandrel to the spring I.D then harden and temper using my electric furnace. With this new method I had to turn the mandrel down to well below the spring I.D to allow for spring back, I actually had to turn it down about 6mm less than the ID to allow for the spring back. The spring I am making is 245mm long and 26.5mm O.D with 17 coils.
So in the photo at the top is the wire I was using to get the mandrel diameter correct during testing. In the middle is the mandrel, which you should be able to see the screws I used to tighten down one or both ends as well as pen marks which I passed the wire over to get the spacing right, and at the bottom is the failed attempt or should I say sorry excuse for a spring.
I have learned a lot from this failure. Firstly when I wound this spring and measured the O.D I found it is a whole millimeter smaller than the test piece, I can only assume this is because the spring was fatigued more during the actual winding than it was on the test wire so I will need to make a new, larger mandrel to compensate. The spring also got shorter by about 10mm when I released it from the mandrel, this is common sense really because as the spring releases and unwinds sightly it will get shorter as it gets wider. So I will make the new mandrel longer to compensate.
The one problem I am not really sure how to fix is the fact that the wire seems to have a mind of its own, even when I was winding it (I wound it by hand with one end of the wire clamped in the vice) it wanted to snake around and twist, I found I was having to contort myself round to try to take the twist out of the wire as I would it. Ultimately it was all for nothing because, as you can see in the photo when I released it from the mandrel the wire went where it wanted to go.
Afterwards when I re read Cain to find out the problem he mentions the importance of getting the wire straight in the first place(getting rid of the kinks he calls it), this sounds feasable however past experience tells me that straightning very high tensile wire of this diameter will add a few coins to the swear jar! And he doesn't actually mention how. I have considered winding it on the lathe but with a 15mm pitch it cant really be done. The other option would be to use a spring winding tool as pictured in Cains book in conjunction with the lathe. However I am not really sure that this alone will take care of the kinking problem. Does that device actually straighten wire before it is bent?
Can anyone help with advice on how to proceed, my best guess will be to straighted the wire as much as I can (I doubt I will ever get it perfectly straight) and try extra hard to get rid of the kinks as I wind, which I don't think will be easy.
If anyone else is interested I found that the 1911 blueprints call for Music Wire springs, unlike Cain the 1911 blueprints call for the Music Wire springs to be "stress releived" after forming in particular the "Spring, Helical Compression" calls for .045" diameter music wire to be stress releived at 450F for 20min minimum. I applied this process to my torsion spring and thus far all I can say is it still works like a spring i.e. hasn't been put into service yet. so I can't say if it is an improvement over not stress relieveing but I have to believe the US Govt knows its stuff when it comes to designing small arms.
The first spring I made, a torsion spring came out pretty good if I do say so myself, it is by no means perfect but it will do the job. I made a small mandrel to wind this around and it came out as expected first time. Here is a blurry photo (sorry)-
http://s1056.photobucket.com/albums/t379/matthewdd3/?action=view¤t=spring1.jpg
With this spring I made the mandrel the coil ID, the coil is quite small so there was virtually no spring back to compensate for.
The next spring I need to make is a rather large compression spring. It actually uses the same diameter wire as above which is .063" or 1.6mm.
http://s1056.photobucket.com/albums/t379/matthewdd3/?action=view¤t=spring2.jpg
This has been a disaster so far, before attempting this project I did do some background research, namely I read a book called Spring design and manufacture by Tubal Cain, he mentioned that Music Wire does not need to be hardened and tempered. This effectively changed the method I was going to use to make this. I was originally going to make the mandrel to the spring I.D then harden and temper using my electric furnace. With this new method I had to turn the mandrel down to well below the spring I.D to allow for spring back, I actually had to turn it down about 6mm less than the ID to allow for the spring back. The spring I am making is 245mm long and 26.5mm O.D with 17 coils.
So in the photo at the top is the wire I was using to get the mandrel diameter correct during testing. In the middle is the mandrel, which you should be able to see the screws I used to tighten down one or both ends as well as pen marks which I passed the wire over to get the spacing right, and at the bottom is the failed attempt or should I say sorry excuse for a spring.
I have learned a lot from this failure. Firstly when I wound this spring and measured the O.D I found it is a whole millimeter smaller than the test piece, I can only assume this is because the spring was fatigued more during the actual winding than it was on the test wire so I will need to make a new, larger mandrel to compensate. The spring also got shorter by about 10mm when I released it from the mandrel, this is common sense really because as the spring releases and unwinds sightly it will get shorter as it gets wider. So I will make the new mandrel longer to compensate.
The one problem I am not really sure how to fix is the fact that the wire seems to have a mind of its own, even when I was winding it (I wound it by hand with one end of the wire clamped in the vice) it wanted to snake around and twist, I found I was having to contort myself round to try to take the twist out of the wire as I would it. Ultimately it was all for nothing because, as you can see in the photo when I released it from the mandrel the wire went where it wanted to go.
Afterwards when I re read Cain to find out the problem he mentions the importance of getting the wire straight in the first place(getting rid of the kinks he calls it), this sounds feasable however past experience tells me that straightning very high tensile wire of this diameter will add a few coins to the swear jar! And he doesn't actually mention how. I have considered winding it on the lathe but with a 15mm pitch it cant really be done. The other option would be to use a spring winding tool as pictured in Cains book in conjunction with the lathe. However I am not really sure that this alone will take care of the kinking problem. Does that device actually straighten wire before it is bent?
Can anyone help with advice on how to proceed, my best guess will be to straighted the wire as much as I can (I doubt I will ever get it perfectly straight) and try extra hard to get rid of the kinks as I wind, which I don't think will be easy.
If anyone else is interested I found that the 1911 blueprints call for Music Wire springs, unlike Cain the 1911 blueprints call for the Music Wire springs to be "stress releived" after forming in particular the "Spring, Helical Compression" calls for .045" diameter music wire to be stress releived at 450F for 20min minimum. I applied this process to my torsion spring and thus far all I can say is it still works like a spring i.e. hasn't been put into service yet. so I can't say if it is an improvement over not stress relieveing but I have to believe the US Govt knows its stuff when it comes to designing small arms.