Dave McCracken
Moderator In Memoriam
I'm told there's an Archeological site in Africa's Great Rift Valley that dates back over 1.2 million years. Primitive hominids who may have been our ancestors brought lumps of obsidian and chert from miles away to shape their hand axes there. They did so up to .2 million years ago, making the site not only the world's oldest workshop but the longest used.
Looking over the rejected hunks of rock and partially shaped axes left behind shows that Homo Habilis, a bipedal hominid otherwise very similar to a chimp, oft conformed the ax blank to show off colors and veins in the rock.
In other words,the love of beauty was there before we invented/discovered fire, the wheel, religion or 870s.
We have always loved beautiful things, including weapons. See the fine artwork of a 16th Century rapier, or one of Joe Manton's flint fowlers, or the graceful lines of a Southern Mountain rifle, like Shaker furniture.
Shotguns fit in neatly. Even utility grade single shots like the old H&R, Iver Johnson or many Stevens have an economy of line and graceful junctions where metal and wood conjoin.
British aristocrats had fine doubles built that look good to non shooters and shooters alike. Even pumpguns like Winchester's 97 had a 19th Century industrial cosmetic that reminds us of an era and still serves in the field or when things go bump.
Quality American made shotguns of the last 150 years by makers like Parker Bros, Ithaca, LC Smith (Hunter Arms) and Fox oft had the cheapest guns made use the same platform as the premium grades, the differences being finish, fit and decoration.
The Custom Shop at Remington, rumor has it, continues the tradition with the 10 Millionth 870 being an Exhibition grade past the letter grade and with lumber reserved for decades. Time will tell.
All things boil down to economics. Many of us shoot good but plain shotguns, and maybe dream of moving up to art that shoots, or just stuff that's not ugly.
Here's a couple ways.....
First, companies like Boyd's and Wenigs offer stock sets for many US made shotguns from Industrial to Museum grades. New wood, well finished with some figure, can add a lot to the looks of your present shotguns.
Note, hanging on to the old wood may be a good idea. Just because a shotguns has little collector value now doesn't mean it will always be the case.
Another note, having the new wood made to your dimensions so the shotgun shoots where you need it to is a very good idea.
Refinishing the wood is within many of our skills. And oft it can result in some pride besides that merely of ownership. Restraint is good here,I've done a couple pumps and a Ranger marked Stevens but would pass on a Sterlingworth or Trojan.
Few of us have the resources to redo metal, but experts in this advertise in magazines like Shooting Sportsman, Double Gun Journal,etc. Good ones aren't common nor inexpensive.
Handy folks can contact Brownell's about rebluing supplies and techniques.
I would urge caution before plunging in deep on this. Some old guns will lose value if refinished, and those dings and scars are tangible evidence of experiences long gone. Conserve, conserve, conserve....
Other upgrades for your pet are engraving and inlays.. Good engravers have about the same hourly rate as top cardio surgeons, and waiting lists measured in years. Bad engravers, in my jaundiced opinion, aren't worth the lessened rates.
And engraving can cover up a multitude of ills, and many dealers know it. And like Horseradish, a little can go a long way.
Having said that, I have to admit one of my When I Win the Lottery fantasies involves having hot rod flames inlaid in red and yellow gold around the ejection port of Number Six and that number inlaid in gold in the receiver near the grip like the Brits used to inlay numbers 1 and 2 appropriately on matched pairs.
That's a private joke, but a real wish....
Finally, there's one more way to make a shotgun prettier, and that's by shooting it. Shoot it often.
Take a 9 pointer that stands as a county record with a single slug from a bolt action Mossberg others call ugly.
Take a true quail triple from a covey rise exploding like feathered bomb fragments with a short barreled riot gun with black painted wood and myriad metal finishes.
Run a Wobble round low gun and back it up with a 23/25 Flurry with a pumpgun made in 1955.
Screw in your two tightest chokes and run the Teal and Rabbit stations with a new O/U you've waited a very long time to buy.
Twice.
I guarantee whatever shotgun you do stuff like this with will look mighty pretty thereafter.
Trust me....
Looking over the rejected hunks of rock and partially shaped axes left behind shows that Homo Habilis, a bipedal hominid otherwise very similar to a chimp, oft conformed the ax blank to show off colors and veins in the rock.
In other words,the love of beauty was there before we invented/discovered fire, the wheel, religion or 870s.
We have always loved beautiful things, including weapons. See the fine artwork of a 16th Century rapier, or one of Joe Manton's flint fowlers, or the graceful lines of a Southern Mountain rifle, like Shaker furniture.
Shotguns fit in neatly. Even utility grade single shots like the old H&R, Iver Johnson or many Stevens have an economy of line and graceful junctions where metal and wood conjoin.
British aristocrats had fine doubles built that look good to non shooters and shooters alike. Even pumpguns like Winchester's 97 had a 19th Century industrial cosmetic that reminds us of an era and still serves in the field or when things go bump.
Quality American made shotguns of the last 150 years by makers like Parker Bros, Ithaca, LC Smith (Hunter Arms) and Fox oft had the cheapest guns made use the same platform as the premium grades, the differences being finish, fit and decoration.
The Custom Shop at Remington, rumor has it, continues the tradition with the 10 Millionth 870 being an Exhibition grade past the letter grade and with lumber reserved for decades. Time will tell.
All things boil down to economics. Many of us shoot good but plain shotguns, and maybe dream of moving up to art that shoots, or just stuff that's not ugly.
Here's a couple ways.....
First, companies like Boyd's and Wenigs offer stock sets for many US made shotguns from Industrial to Museum grades. New wood, well finished with some figure, can add a lot to the looks of your present shotguns.
Note, hanging on to the old wood may be a good idea. Just because a shotguns has little collector value now doesn't mean it will always be the case.
Another note, having the new wood made to your dimensions so the shotgun shoots where you need it to is a very good idea.
Refinishing the wood is within many of our skills. And oft it can result in some pride besides that merely of ownership. Restraint is good here,I've done a couple pumps and a Ranger marked Stevens but would pass on a Sterlingworth or Trojan.
Few of us have the resources to redo metal, but experts in this advertise in magazines like Shooting Sportsman, Double Gun Journal,etc. Good ones aren't common nor inexpensive.
Handy folks can contact Brownell's about rebluing supplies and techniques.
I would urge caution before plunging in deep on this. Some old guns will lose value if refinished, and those dings and scars are tangible evidence of experiences long gone. Conserve, conserve, conserve....
Other upgrades for your pet are engraving and inlays.. Good engravers have about the same hourly rate as top cardio surgeons, and waiting lists measured in years. Bad engravers, in my jaundiced opinion, aren't worth the lessened rates.
And engraving can cover up a multitude of ills, and many dealers know it. And like Horseradish, a little can go a long way.
Having said that, I have to admit one of my When I Win the Lottery fantasies involves having hot rod flames inlaid in red and yellow gold around the ejection port of Number Six and that number inlaid in gold in the receiver near the grip like the Brits used to inlay numbers 1 and 2 appropriately on matched pairs.
That's a private joke, but a real wish....
Finally, there's one more way to make a shotgun prettier, and that's by shooting it. Shoot it often.
Take a 9 pointer that stands as a county record with a single slug from a bolt action Mossberg others call ugly.
Take a true quail triple from a covey rise exploding like feathered bomb fragments with a short barreled riot gun with black painted wood and myriad metal finishes.
Run a Wobble round low gun and back it up with a 23/25 Flurry with a pumpgun made in 1955.
Screw in your two tightest chokes and run the Teal and Rabbit stations with a new O/U you've waited a very long time to buy.
Twice.
I guarantee whatever shotgun you do stuff like this with will look mighty pretty thereafter.
Trust me....