Gunsby_Blazen
Member
Richard Poe's analysis of anti gun movies...
According to Richard Poe, author of The Seven Myths of Gun Control, any movie where the villain is able to render the "hero's" gun useless is an anti gun movie. This forces the good guy to defeat the villain without the use of a gun. I think the example that he uses is the movie Preditor II where as in one a gang of tugs approach a man on the subway who pulls his self defense gun on his attackers. the man "poiints it directly at the face of one of his tormentors. But the wouldbe vigilante is so frightened,he cannot hold the gun steady. The Thug laughs out loud and takes the pistol from the man. Only the sudden intervention from some plainclothes police officers ... save the day" (Poe, 103). The author's point is that only police and authorized officials have the capacity to operate a firearm. civilians are not capable of welding such power as we are not competent enough.
What do all of you make of that argument?
Poe, Richard. The Seven Myths of Gun Control. (New York: Three Rivers Press, 2001).
According to Richard Poe, author of The Seven Myths of Gun Control, any movie where the villain is able to render the "hero's" gun useless is an anti gun movie. This forces the good guy to defeat the villain without the use of a gun. I think the example that he uses is the movie Preditor II where as in one a gang of tugs approach a man on the subway who pulls his self defense gun on his attackers. the man "poiints it directly at the face of one of his tormentors. But the wouldbe vigilante is so frightened,he cannot hold the gun steady. The Thug laughs out loud and takes the pistol from the man. Only the sudden intervention from some plainclothes police officers ... save the day" (Poe, 103). The author's point is that only police and authorized officials have the capacity to operate a firearm. civilians are not capable of welding such power as we are not competent enough.
What do all of you make of that argument?
Poe, Richard. The Seven Myths of Gun Control. (New York: Three Rivers Press, 2001).