MatthewVanitas
Member
Watched this film recently, and am working on the related book "My Battle of Algiers" by Ted Morgan, cousin of John Negroponte and Algerian War veteran.
Great film! Won lots of awards, strong cinematography, and about a fascinating war that most Americans haven't even heard above. The film covers the latter part of the French-Algerian War in the 1950s-1962, when Algeria became independent after over a century as a French colony.
So far as the gun-geek stuff goes, the film is really heavy on MAT-49 subguns. Apparently, these actually were very common. Looking at the above clips, you can see how both sides might favor volume and compactness over range. Some MAS 49 semi rifles as well, and when the paras arrive they mainly carry M1 Carbines.
CRITICISMS AFTER READING THE BOOK:
1) The film does help nuance the ill acts of both sides, mainly by showing the rebel's deliberate bombing of civilian targets, including a youth dance hall. However, the film doesn't show the atrocities committed by rebels against settlers and collaborators, thought it does show the French indiscriminate bombings and torture.
I would've loved to see at least one scene with the ultras (radical pro-French colonists) interacting with the mainland French. At one point, some ultras went so far as to fire a bazooka at the office window of the military director of Algiers, as punishment for being "soft on terrorism". Some ultras also had a nasty tendency to grab and kill the first Arab they saw after each attack, which the film does show.
2) The film shows the first run of European Quarter bombers as traditional Arab women who disguise themselves as collaborating Westernized Algerians. In the book, it states that the bombers were actually Westernized Berber girls, some blue-eyed and blonde, who could totally pass for European.
Further, some of the later bombers were Europeans leftists with no Arab/Muslim connections. I somewhat wonder if the film deliberately left those out in order to avoid any connection between Algerian nationalism and Communist support.
I realize the film can't cover everything, but the above were the main lackings. The upside and downside of the film is that it is, though pro-Algerian overall, somewhat nuanced. The negative of that is that both sides can kneejerk on this film:
Right Wing: "Lookit them Arabs! Told you they're crazy!"
Left Wing: "Oh, this is _exactly_ like Iraq, we're so terrible!"
Neither interpretation is really pertinent here. This film was, in some Marine units, mandatory viewing before Iraq deployments, but there are as many differences as similarities between the two situations.
Overall, definitely mandatory viewing for any military-history buff. Right up there with "The Winter War". I'm still looking hard for a good film about the Italian-Ethiopian Wars, or the Sepoy Revolt, so please turn me on to those if you have any leads. Take care,
-MV
Great film! Won lots of awards, strong cinematography, and about a fascinating war that most Americans haven't even heard above. The film covers the latter part of the French-Algerian War in the 1950s-1962, when Algeria became independent after over a century as a French colony.
So far as the gun-geek stuff goes, the film is really heavy on MAT-49 subguns. Apparently, these actually were very common. Looking at the above clips, you can see how both sides might favor volume and compactness over range. Some MAS 49 semi rifles as well, and when the paras arrive they mainly carry M1 Carbines.
CRITICISMS AFTER READING THE BOOK:
1) The film does help nuance the ill acts of both sides, mainly by showing the rebel's deliberate bombing of civilian targets, including a youth dance hall. However, the film doesn't show the atrocities committed by rebels against settlers and collaborators, thought it does show the French indiscriminate bombings and torture.
I would've loved to see at least one scene with the ultras (radical pro-French colonists) interacting with the mainland French. At one point, some ultras went so far as to fire a bazooka at the office window of the military director of Algiers, as punishment for being "soft on terrorism". Some ultras also had a nasty tendency to grab and kill the first Arab they saw after each attack, which the film does show.
2) The film shows the first run of European Quarter bombers as traditional Arab women who disguise themselves as collaborating Westernized Algerians. In the book, it states that the bombers were actually Westernized Berber girls, some blue-eyed and blonde, who could totally pass for European.
Further, some of the later bombers were Europeans leftists with no Arab/Muslim connections. I somewhat wonder if the film deliberately left those out in order to avoid any connection between Algerian nationalism and Communist support.
I realize the film can't cover everything, but the above were the main lackings. The upside and downside of the film is that it is, though pro-Algerian overall, somewhat nuanced. The negative of that is that both sides can kneejerk on this film:
Right Wing: "Lookit them Arabs! Told you they're crazy!"
Left Wing: "Oh, this is _exactly_ like Iraq, we're so terrible!"
Neither interpretation is really pertinent here. This film was, in some Marine units, mandatory viewing before Iraq deployments, but there are as many differences as similarities between the two situations.
Overall, definitely mandatory viewing for any military-history buff. Right up there with "The Winter War". I'm still looking hard for a good film about the Italian-Ethiopian Wars, or the Sepoy Revolt, so please turn me on to those if you have any leads. Take care,
-MV
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