Okay, in a separate thread I mentioned I burnish the lettering instead of filing it from the replica revolvers I choose to "authenticate".
After posting some confusing posts and nearly stealing the OP thread, I think there is sufficient interest to try a separate thread for this.
Here are a couple of revolvers that have had the markings removed by burnishing.
and
If you look along the side of the barrel you can see where the lettering should appear but does not.
Stamping in the lettering displaces metal from the barrel (or frame) and burnishing merely pushes but whence it came.
And it is said much easier than it is accomplished.
First, a burnishing tool is needed, mine is 1/2" diameter by 14" long with a 3/4" button on one end.
Secure whatever you will be burnishing and grab the tool with one hand at each end, a comfortable distance between your hands.
Now, for the first couple of strokes just rub the rod over the stampings.
As you figure out what you have to do, start applying downward PRESSURE.
It may take a while but you will start to see the metal moving back into the depressions.
After a bit of work, the metal will all be back in place and the area will be rough looking. At this point either a fine cut file followed by emery paper or maybe just the emery paper.
After the emery, polish and finish how you prefer.
Here is a cut off barrel (clone 1860, Pietta) and a burnished Pietta 1860 barrel.
other side
close up
I have a couple more pieces to work on over the summer so if more photos are needed, let me know what you want to see.
This is only one way to do it and I am sure there are others.
I have used the very ends and pushed down as if using a big pencil to get into some areas to remove dents.
You can also inlay precious metal into undercut inlay areas with this idea.
Some of the others who have done this can also jump in with photos and help explain the technique.
Good luck and have fun with it.
After posting some confusing posts and nearly stealing the OP thread, I think there is sufficient interest to try a separate thread for this.
Here are a couple of revolvers that have had the markings removed by burnishing.
and
If you look along the side of the barrel you can see where the lettering should appear but does not.
Stamping in the lettering displaces metal from the barrel (or frame) and burnishing merely pushes but whence it came.
And it is said much easier than it is accomplished.
First, a burnishing tool is needed, mine is 1/2" diameter by 14" long with a 3/4" button on one end.
Secure whatever you will be burnishing and grab the tool with one hand at each end, a comfortable distance between your hands.
Now, for the first couple of strokes just rub the rod over the stampings.
As you figure out what you have to do, start applying downward PRESSURE.
It may take a while but you will start to see the metal moving back into the depressions.
After a bit of work, the metal will all be back in place and the area will be rough looking. At this point either a fine cut file followed by emery paper or maybe just the emery paper.
After the emery, polish and finish how you prefer.
Here is a cut off barrel (clone 1860, Pietta) and a burnished Pietta 1860 barrel.
other side
close up
I have a couple more pieces to work on over the summer so if more photos are needed, let me know what you want to see.
This is only one way to do it and I am sure there are others.
I have used the very ends and pushed down as if using a big pencil to get into some areas to remove dents.
You can also inlay precious metal into undercut inlay areas with this idea.
Some of the others who have done this can also jump in with photos and help explain the technique.
Good luck and have fun with it.
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