Concerning the oft-mentioned graphic scenes in UC, this is from the FAQ on my website:
I’d like my kids to read Unintended Consequences, but some of the language is inappropriate and some scenes are too graphic. Why didn’t you leave that stuff out?
I get this question a lot. Recently, I learned that Stephen King, one of the writers whose talent I most admire, gets the same criticism. On p. 184 of his wonderful book On Writing, he says:
"As with all other aspects of fiction, the key to writing good dialogue is honesty. And if you are honest about the words coming out of your characters’ mouths, you’ll find that you’ve let yourself in for a fair amount of criticism. Not a week goes by that I don’t receive at least one pissed-off letter (most weeks there are more) accusing me of being foul-mouthed, bigoted, homophobic, murderous, frivolous, or downright psychopathic. In the majority of cases what my correspondents are hot under the collar about relates to something in the dialogue: ‘Let’s get the **** out of Dodge’ or ‘We don’t cotton much to ******* around here’ or ‘What do you think you’re doing, you ****ing faggot?’"
And then on page 185:
"The point is to let each character speak freely, without regard to what the Legion of Decency or the Christian Ladies’ Reading Circle may approve of. To do otherwise would be cowardly as well as dishonest, and believe me, writing fiction as we enter the 21st century is no job for intellectual cowards. There are a lot of would-be censors out there, and although they may have different agendas, they all want basically the same thing: for you to see the world they see…or to at least shut up about what you do see that’s different."
A lot of teens love reading Stephen King, and don’t seem to be any the worse for it. If your kids are smart enough to read an 800 page novel without being coerced, they can handle the words in it without being corrupted, just like you. Unintended Consequences is like real life: you’re not apt to like everything about it.
JR
I’d like my kids to read Unintended Consequences, but some of the language is inappropriate and some scenes are too graphic. Why didn’t you leave that stuff out?
I get this question a lot. Recently, I learned that Stephen King, one of the writers whose talent I most admire, gets the same criticism. On p. 184 of his wonderful book On Writing, he says:
"As with all other aspects of fiction, the key to writing good dialogue is honesty. And if you are honest about the words coming out of your characters’ mouths, you’ll find that you’ve let yourself in for a fair amount of criticism. Not a week goes by that I don’t receive at least one pissed-off letter (most weeks there are more) accusing me of being foul-mouthed, bigoted, homophobic, murderous, frivolous, or downright psychopathic. In the majority of cases what my correspondents are hot under the collar about relates to something in the dialogue: ‘Let’s get the **** out of Dodge’ or ‘We don’t cotton much to ******* around here’ or ‘What do you think you’re doing, you ****ing faggot?’"
And then on page 185:
"The point is to let each character speak freely, without regard to what the Legion of Decency or the Christian Ladies’ Reading Circle may approve of. To do otherwise would be cowardly as well as dishonest, and believe me, writing fiction as we enter the 21st century is no job for intellectual cowards. There are a lot of would-be censors out there, and although they may have different agendas, they all want basically the same thing: for you to see the world they see…or to at least shut up about what you do see that’s different."
A lot of teens love reading Stephen King, and don’t seem to be any the worse for it. If your kids are smart enough to read an 800 page novel without being coerced, they can handle the words in it without being corrupted, just like you. Unintended Consequences is like real life: you’re not apt to like everything about it.
JR